Sunday, 31 January 2010
Lines Episode 3 Teaser Trailer
Wednesday, 27 January 2010
Arranging The Casting - 27/01/10
Episode 2 Teaser Trailer
Lines Episode 2 Poster
Here is the poster to the second episode of Lines, which will be airing on Friday 29th January at 7:00 pm. This poster is very eye catching and looks very good with the effects. Once this has been put up, it will hopefully attract more people to tune in for the second episode and also going back to watch the first episode. Fingers crossed!
Class Feedback From The First Episode
Sound levels need improving (some bits are louder than others) (Mentioned 5 times)
CD films logo too long (Mentioned 4 times)
Credits are too fast at the end (Mentioned 3 times)
Poor acting
Opening sequence is to repetitive
Editing of the video is good & works well
Nice logos, they look well made and effective to the audience
Poorly recorded narration
Inappropriate music used throughout the video (including the opening sequence)
Camera work could be better
Too many cuts
Script is too basic
Poor cuts used
Poorly planned
The actors need rehearsals before acting in next video as they don't seem very confident in the first episode (Mentioned 3 times)
Catchy song works well (Mentioned 3 times)
The stereotypes are not clearly shown in the 1st episode
Need more close ups
Need more core content
Visual gags of skeleton work well
Need more comedy rather than drama to make it more comedic
Continuity issues need improving (Mentioned 3 times)
Here is the feedback we received from Pete (Teacher):
When the character is holding the polos, there could of been a close up
While he was watching the 1st episode, he felt as if he was in a theater. There needs to be more use of close ups and shot changes
Voice-over explaining each character works well, needs to be more narration
Cut to show different characters
More planning is needed prior to next shoot (rehearsals etc) to avoid bad acting
High angle show works well, but panning shot doesn't work within the same shot
Sound levels need improving / editing
Upon receiving the feedback from the class and Pete, these are the things that need to be changed in order to make the second episode better. The sound levels will need to be changed, and also filming with the microphone closer to the cast in future. Rehearsals also need to be done beforehand in order to make the cast feel more confident with their role. The storyboard also needs to be stuck to. If all this goes to plan, we should have a very good second episode.
The Inbetweeners
secondary school. I liked the way the first series opened with Jay being a newcomer to the school and meeting the other members whom he later befriends. I also like the frequent narration during the episode, which helps to push the story along. I also included a copy of the title sequence for you to look at. The music is also light-hearted. Adds to the light-heartedness of the series. The only thing I ignored about this series is that there is strong language throughout. I did not include any profanities. Monday, 25 January 2010
Skins
characters for Lines. I wanted to use what they did and have a group of characters with a clash of personalities. This is part of the theme of Lines. As there is a clash of personalities, they argue a few times. I also like the concept of each episode focusing on a different character, which I tried to incorporate in Lines. The first episode focuses on all of the characters as they have only been introduced. The second episode then features on Seth and Zeke. The third episode more of Taylor's personality, along with a hint of Megan's character. At the end of the third episode, the only character not to be fully developed is Jake, the main character, who's character is to be developed throughout the whole thing. I have included a clip of the fourth series of skins. This helps to illustrate the points I have just made.This whole clip illustrates how it is made for a teenage audience. Nightclub rave scenes, joy riding and complex relationships are all shown in this trailer.
Eastenders E20

The opening titles for this are quite pacy. The original Eastenders theme has been remixed with a drum and base theme. The cast of the show are teens, which helps make the show appeal to teenagers. The show is also created by teens, which makes the series more realistic and grittier at the same time.
Sunday, 24 January 2010
Project Overview
with the possibility of making more episodes if we wanted to. As a class, we decided to base it on a group of kids in detention. I was given the role of casting director
within the group. The group was eventually split into two. I worked with Matt, Tara, Kirk, Alie, Tim, Ash, Sam and Dave. I took on the role of scriptwriter and was still in charge of casting. We called our series ‘Lines’ whilst the other group stuck with the name ‘Detention Deficit’.I set about creating a set of realistic characters. I figured that the series would work best if we

had a newcomer to the detention group. That character soon became Jake, a teen actor and musician who is new to the school. The funny thing about the character is that I got the inspiration after watching Hannah Montana with my sister. The character was called Jake Ryan, hence the reason why I called him Jake. It was after a brief confrontation with a teacher that he was put in detention. The
re, he comes across Taylor, the school bully. I figured that you wouldn’t have detention if you didn’t have a troublemaker. But I wanted to put a twist with his character. Instead of bullying people for the sake of it, he does it because he is insecure with himself. Outside of school, he is a perfectly behaved individual. This comes to a head in episode three where Taylor argues with Megan because of it. The next character I created was Zeke, who is always in detention
because he takes the blame for his friend’s troublesome antics. He is unable to stand up for himself. I actually thought of the character whilst watching Neighbours. Anyway, the nature of him being in detention is revealed in the second episode. The friends question why he always talks about his friend, but then it is shown his
friend constantly takes advantage of him. We have Megan, who is a well educated girl who is rebelling against the system. She’s used to getting what she wants at home, and at school she gets in trouble for this. I don’t actually know how I thought of her character, just that I wanted to have someone do that. The final character is Seth, who believes that a secret agent is following him. This character was used in the other group, but I wanted this version to be less
paranoid. There are other characters introduced throughout the series, but these are the main ones. I
knew straight away that I did not want this series to be a sitcom, such as The Inbetweeners, but instead I wanted it to have a more a dramatic approach, such as Skins.
forms which Tara and I put around the College. I also had to sort out the model release forms which the cast had to fill in, in order for us to be allowed to film them. The auditions quickly came around and we had a total of nine people turn up to audition. It was then down to me to make the final choices, and I emailed all the cast members when I got home that evening. I also requested that they give us a copy of their timetable so that a filming timetable could be arranged.
close-ups could've been used. Dave then appointed himself the role of director and decided that he would rewrite the script for the second episode, without even consulting me. I turned up ready to film and then learnt about that, so communication could've been better there. I felt that this was done far too close to the deadline, but I couldn't be bothered to disagree even further, so I went about making sure the cast were available to film on Monday afternoon.
that it will all work out in the end. The final version of episode one was uploaded to youtube at the end of Friday's lesson. By the end of the night, the video had a total of two hundred and forty-two views with eleven comments. A lot of people stated that they would continue watching the series, which is what we aimed to do with this project.
to keep on working on it until I wrote the perfect script. I think was because I avoided using humour to keep the pace of the episodes going. That's why I thought I should have another go at writing the third episode. I think I functioned good enough with the casting as well. I felt I made a perfect selection with the cast, though it didn't help when I went away for the weekend. I think I worked a lot better when Kirk was director because he didn't moan whenever we hadn't got something done by a certain time. With Dave, he is a lot more aggressive towards us crew members, which is inapprorpiate. I felt more willing to work with Kirk because he was polite and encouraged us to work hard, not forcing it upon us. Saturday, 23 January 2010
More of A Progress Report
I also did the majority of a redraft to episode 3, which I must say now that I have actually thought through the script, I have made it much better... I hope. I have a also created a shot list, which will be coming on here at somepoint and have also began work on a storyboard.
During the week, I hope to make sure that the cast each have a printed copy of episode 2 for filming tomorrow afternoon. I will also use the storyboards from all 3 episodes of Lines to create an animatic. Not unless someone else does this before I do. I think that's it for now?
Redraft of Episode 3
Fade In
INT. – SCHOOL CORRIDOR – AFTERNOON
JAKE is creeping along the corridor, towards TEACHER 1’S office. He has a walky-talky in his hands, which he switches on.
Cut to
INT. – DETENTION ROOM – AFTERNOON
ZEKE is sitting with the other walky-talky. MEGAN and SETH are sitting either side of him.
ZEKE (deeply)
Jake, I am your father.
JAKE
So that’s the reason why I never met my father.
ZEKE (voiceover)
Well, you know. Was a bit busy. Had things to do. Girls to be with.
Cut away to TEACHER 1 sitting in his office, then back to the detention room. MEGAN tries to snatch the walky-talky away from ZEKE.
MEGAN
Let me say something.
ZEKE
Are you the one with the walky-talky?
MEGAN
No.
ZEKE
Shut up then.
Cut to
INT. - SCHOOL CORRIDOR – AFTERNOON
JAKE hears talking in the distance. He ducks next to a computer, just as TAYLOR and KATIE come into the corridor. Both in a heated discussion.
TAYLOR
I don’t know why you’re making such a big deal out of this.
KATIE
Maybe because you lied to me.
TAYLOR
There’s lies and then there’s lies. What would you rather me do?
KATIE
They’re both the same.
TAYLOR (sighing)
God. Get with it, woman.
JAKE comes out from behind the computer. KATIE screams. TEACHER 1 comes out from his office. He glares at JAKE.
TEACHER 1
You.
Cut to
INT. – DETENTION ROOM – AFTERNOON
JAKE, ZEKE, SETH, TAYLOR, MEGAN and KATIE are sitting quietly inside the room.
MEGAN
Do you know what I like about being in detention? We all get to learn people’s true colours. Taylor, for example, is a goody two shoes.
TAYLOR
That’s rich coming from you. Little miss perfect to daddy and a complete sausage to everyone else.
MEGAN (furiously)
You take that back right now!
SETH
I think we all need to take a deep breath and calm down.
JAKE
I’m with you on that one.
MEGAN (exhaling)
It’s still not helping me.
Fifteen Minutes Later
They are all sitting silently around the room. SETH gets to his feet.
SETH
I’ve had enough of this. I’m outta here.
SETH goes to open the door and realises that it is locked.
KATIE
It’s locked.
SETH
Yes, I know that.
SETH sits back down.
Five Minutes Later
SETH gets to his feet. He walks over to the door and tries to open again, forgetting that he has previously tried to open it.
JAKE
Why are you trying the door again? It’s obviously locked.
SETH
It might’ve been unlocked that time.
TAYLOR
Well it’s not.
SETH
Yes. I can see that. I do have eyes. (pointing to his eyes)These things in my head. God, It’s like being on Big Brother.
ZEKE
Look, try and use your intelligence, man, even if you are a politician.
They all stare at him.
ZEKE (continued)
Sorry, am a bit of a Doctor Who obsessive.
Friday, 22 January 2010
Progress So Far
the first episode of lines later this evening. This will allow us to get more views and to appeal to a teenage audience. It will also give us the opportunity to get a wider audience instead of our friends and the friends of the cast members. 
Requesting Filming Permission - 19th January 2010
Requesting Filming Permission
permission to film the second episode of Lines at the end of the day on Monday 25th January. We also needed to seek permission to use the HD camera, a room for filming and a microphone so that we can record the sound. The permission was granted for us to film at this time. Launch Poster
by Tara and Tim to be put around the college ready for the show's launch tonight. I like this as it shows the main cast members and also gives enough attention as to make people want to stop and look at the poster, and to also make them watch the first episode when it is launched tonight. Merchandise
online. Lines Title Sequence
I like the way this has been made and the theme music gives an upbeat feel to the whole sequence. Awesome!
Thursday, 21 January 2010
Possible Views For Lines
episode of lines, as well as the ones we had already chosen, such as youtube and vimeo. I looked at bbc blast, a place where teenagers can promote their poetry, music or short films. I thought this would be an excellent way to promote the episode as the majority of people who visit this website are teenagers. This is our target audiencefor the series.
Progress Update - 21/01/10
Tuesday, 19 January 2010
Reflections From Filming - 19th January 2010
I met with the cast members outside the hall at the end of the day, just after Matt had given them a copy of the script to use whilst filming. With the rest of the group, we headed to our filming location, which was over in the D block. Each of the cast members were given their costumes to get changed into and Matt began to set up filming for the title sequence in another room.
I went through a cast read through with the cast. By the time that had finished, Matt had finished shooting the title sequence and then began setting up the camera in our room. From there on, it was like a disaster. The storyboard was not stuck to and most of the camera angles were zoomed in.
I often found there was a lack of communication between the crew members. The cast worked brilliantly together. They were amazing. I felt I was often dragged into the role of director as no one seemed to know what was going on. At times, it seemed as if the cast members were the only ones who had actually read the script. I was often asked to suggest camera angles and whenever I told Tim to film from a certain angle, he complained that we had no time and just carried on filming.
I felt the storyboard was perfectly fine to read and as some of the cast members take media as part of their a levels, they came to me and said that the camera angles in which everything was being filmed from were too static and that everything was filmed from the outside and not enough closeups were used. After filming took place, we said to go and film more closeups. What I saw was the cast members being filmed and also us being filmed round the corner, which had nothing to do with the story....
I think serious thoughts need to be done whilst filming episode 2 or this project will fall to pieces. I don't want that to happen as so much hard work has been put into it.
Where's the cast photos?
Reflections - 19th January 2010
I also had the understanding that Matt wanted to film the title sequence for the episodes in our free period, between 12:20 and 14:40. I got in contact with each of the cast members and arranged for them to meet the group in between this time to film. But as no request form had been made and signed, no permission was given to us to film in this time. This meant that I had to contact the cast members and tell them not to turn up at this time.
In the afternoon lesson, I printed out three copies of episode 1 and episode 2 ready for filming at the end of the day. This was done relatively quickly. I then had to wait until the end of the day for filming to commence...
Choosing The Right Cast - 13th January 2010

Reflections From Auditions - 13th January 2009
There was a time in which no one auditioned, so we went back over the footage. There was no sound recorded. I remember asking Tim specifically to make sure that it was recording sound, but he said it didnt matter. I then attempted to get in touch with people to come and re-audition their parts. Unfortunately, only one person was able to make it as everyone else had left the college.
I felt that we worked well as a team, although a few of the comments made by Dave were unnecessary. I mean, you don't tell people who are auditioning for a role that the script is s**t and that they shouldn't waste their time auditioning. I felt this was quite a negative comment to be made. I was also going to take a copy of the quicktimed auditions home to help select cast members. As the file would not quicktime on Dave's laptop in time, I had to leave with just a set of audition notes.
Kirk, Tara and I then sat downstairs and discussed who would fit what roles in the episodes, although it was my choice to make an executive decision. The way I organised it was that each of the judges would write down the names of the people they thought would be suited to each role and I would go away and select the people with the highest number of votes. I then went home and began making my selection on each of the cast members.
Wednesday, 13 January 2010
Audition Procedure
Audition Checklist
Plan For Today
I also need to plan a risk assessment with Tim ready for the auditions and have that printed out ready.
We have to set up the room and cameras ready for the audition.
Auditions where the characters are reading their lines.
I then need to upload the audition footage to the computer, quicktime it, and put it on a usb ready to take home.
I will watch through the auditions and upon this, will assess who will be fit to perform each of the roles and also to arrange a filming timetable ready for whenever.
Monday, 11 January 2010
Lines Part 3
JAKE (narration)
So far, we learnt that Zeke’s friend had been taking advantage over him and we had an interesting discussion over illegal downloads. And just when things couldn’t get any worse, Taylor’s girlfriend made an appearance. God help me.
Cut to
INT – THE DETENTION ROOM – AFTERNOON
TAYLOR and KATIE are standing by the wall, quietly talking to each other.
KATIE (whispering)
I can’t believe you lied to me. How is this relationship meant to work if you’re not telling me everything?
TAYLOR
Yeah, I know. Sorry.
MEGAN casually walks over to them.
MEGAN
I love it how we all get to learn these little things about each other. I mean, who’d have guessed you’d be a goody two shoes?
TAYLOR
Will you just shut up? You don’t know what you’re talking about!
MEGAN
I looks pretty clear from where I’m standing. This whole tough guy attitude being an act.
TAYLOR
You’re one to talk. Little miss perfect to Daddy, but a complete bitch to everyone else you come across.
Cut to
Ten Minutes Later
INT – THE DETENTION ROOM – AFTERNOON
JAKE, TAYLOR, SETH, ZEKE, MEGAN and KATIE are sitting quietly around a table.
JAKE
Well at least we’re all getting on now.
They all nod in agreement.
Cut to
Ten Minutes Later
INT – THE DETENTION ROOM
JAKE, TAYLOR, SETH, ZEKE, MEGAN and KATIE are still sitting quietly around a table. ZEKE checks the time on his watch.
ZEKE
Detention’s over.
SETH
They couldn’t have forgotten about us, would they?
TAYLOR
Stuff this. I’m going.
TAYLOR gets to his feet. He puts his rucksack on his back and he walks towards the door. KATIE joins him. TAYLOR tries to open the door, but then realises it is locked. He places his rucksack on the floor and sits back with the rest of the group.
Cut to
Three Hours Later
INT - THE DETENTION ROOM – EVENING
JAKE is sitting, talking to TAYLOR, SETH, ZEKE, MEGAN and KATIE, who are listening to him.
JAKE
It happened a few months back. I couldn’t cope with all the filming schedules. I did something. It made me realise I wanted a normal life...
The classroom door can be heard unlocking.
TAYLOR
Finally, I get to go.
AGENT 1 steps inside the room. He closes the door behind himself.
SETH
That’s him! That’s the guy! I told you he was real!
AGENT 1
Time’s up.
They all exchange puzzled looks.
Cut to
Ten Minutes Later
INT – OUTSIDE THE DETENTION ROOM – EVENING
JAKE, TAYLOR, SETH, ZEKE, MEGAN and KATIE come walking out of the room. They walk down the corridor.
Fade Out
Saturday, 9 January 2010
Lines Part 2
JAKE (narration)
So far, I’d been threatened by Taylor, questioned about my fame and now there’s someone claiming to be harassed by a secret agent. Could this day get any worse?
Cut to
INT – THE DETENTION ROOM – AFTERNOON
JAKE is sitting at a table, minding his business completely. TAYLOR is sitting on top of a table and ZEKE and MEGAN are sitting by the table that TAYLOR is sitting on. SETH is pacing up and down the room.
SETH
I really shouldn’t be in here.
TAYLOR (muttering)
You’re telling me.
ZEKE
What happened to you?
SETH
There’s this guy. He keeps following me around. A bit like a stalker really...
Cut to
INT – THE REFECTORY – MORNING
SETH is standing at a vending machine, looking at what drink to purchase. He spots AGENT 1 peering round the corner of the door, staring at him. He looks back at the vending machine. He looks back to the door. AGENT 1 is no longer there. He makes his drink selection.
Cut to
INT – THE LRC – MORNING
SETH is sitting at a table, writing some notes onto a writing pad. He looks up. AGENT 1 is standing in an aisle, reading a book. He looks down, then back up. AGENT 1 is nowhere to be seen. AGENT 1 suddenly crouches beside him.
AGENT 1
It’s time.
Cut to
INT – THE DETENTION ROOM – AFTERNOON
SETH is standing at the front of the room. JAKE, TAYLOR, ZEKE and MEGAN are staring at him in confusion.
SETH (insistently)
I’m telling you the truth. Do you think this would be something I’d write on my personal statement? ‘Hi, I’m Seth. I spend my time at school getting harassed by a secret agent’.
JAKE
I somehow find it hard to believe.
TAYLOR
That’s rich coming from the actor we’ve never heard of.
MEGAN
I can’t wait until I get home. There’s some more songs I wanna download.
JAKE
No. Don’t you dare.
MEGAN
What?
JAKE
Downloading is killing the music industry. You shouldn’t do it.
TAYLOR (muttering)
Christ.
Cut to
INT – A COLLEGE CORRIDOR – MORNING
ZEKE is walking down the corridor. He has his hands inside his trouser pockets. He also has his rucksack on his back. FRIEND 1 comes up behind him. They walk down the corridor together.
FRIEND 1
Alright? I have a favour to ask. I was going to a party later. I need you to look after my booze for me.
ZEKE
I don’t wanna keep covering for you. All the time you’re getting me in the shit.
FRIEND 1
Cheers, man. You’re the best.
FRIEND 1 hurries off. ZEKE has an outburst of rage. He straightens himself out afterwards and casually walks away.
Cut to
INT – THE DETENTION ROOM – AFTERNOON
JAKE, TAYLOR, SETH and MEGAN are sitting at various tables, listening to ZEKE, who stops talking. KATIE suddenly bursts inside the room. She marches towards TAYLOR.
KATIE (furiously)
I’ve had it up to here with you, Taylor! How long did you honestly think it would be before I found out?
Fade Out
Reflections
So far, so good.
Model Release Form
Lines Part 1
Fade In
JAKE (narration)
My name’s Jake Wood. I spent most of my life trying to be like a normal kid. But the fact I happened to be a TV star and also the lead singer of a band, meant otherwise. I began a new school and well, things didn’t go according to plan.
Cut to
INT – A SCHOOL CORRIDOR – MORNING
JAKE is standing with his back against the wall. TEACHER 1 is standing in front of him, shouting at him. His flies are undone. TEACHER 1 runs his hand through his hair.
TEACHER 1
You may think your screen reputation may be beneficial to you, but it’s not going to help you here.
JAKE
Three words. Flies. Open. Unpleasant.
TEACHER 1 casually zips up his trousers.
TEACHER 1
Let’s see how you cope in detention. They might teach you a thing or two.
JAKE sighs.
JAKE (narration)
That was how I met these guys.
Cut to
INT – THE DETENTION ROOM – AFTERNOON
The camera focuses with a close-up of TAYLOR’S face as he speaks to JAKE, who is standing in front of him.
TAYLOR (threateningly)
At this school, we believe in a state of hierarchy. I am at the top. You, my friend, are at the bottom. The dirty stinking bottom. You got that?
JAKE brings out a tub of tic-tacs. He holds it out to TAYLOR.
JAKE
Tic-tac?
The camera moves across to MEGAN, who is sitting with her feet on a table. She is listening to music on her iPod, which is playing loudly through her headphones.
JAKE (narration)
That’s Megan. She doesn’t say a great deal, although she proved she was good at raising two fingers simultaneously. And finally, we come to Zeke Fernando, the nicest one of the bunch.
Cut to
A Previous Detention
INT – THE DETENTION ROOM – AFTERNOON
ZEKE is sitting at a table, talking to TAYLOR and MEGAN. TAYLOR is sitting on top of a table, listening to him intently.
ZEKE
We were at a house party the other night and my mate. He, erm, he had tons to drink. Like a serious amount...
JAKE (narration)
Meeting someone like him made me question why he ended up in detention in the first place.
Cut to
The Present Detention
INT – THE DETENTION ROOM – AFTERNOON
TAYLOR is now sitting on top of a table. MEGAN takes her headphones out of her ears. She turns and faces JAKE.
MEGAN
So you’re an actor? What’s it like being famous?
TAYLOR
He can’t be that famous if I’ve never heard of him. Even if he was, which I’m sure he ain’t, he wouldn’t be here in detention, would he?
MEGAN
No. But listen to this, right.
JAKE (sighing)
Oh, God. Look, guys. I’m here because I did something. That’s all there is to know.
There is a pause.
ZEKE
I wonder how the others are getting on in detention.
MEGAN
Don’t get me started with them.
The door suddenly opens. SETH walks inside the room, followed closely by TEACHER 1. They are both arguing.
TEACHER 1 (furiously)
I’ve had it up to here with your lies! For the last time, no one has been following you! Not even this apparent spy!
SETH
If you’d just let me explain.
TEACHER 1
No. I don’t want to hear it.
TEACHER 1 turns and walks out of the room. He slams the door shut. SETH turns to face the others, who are looking puzzled.
SETH
Oh, hi.
Fade Out
Thursday, 7 January 2010
Episode Ideas
I came up with the idea of introduction as Jake as he turns up for detention. There he meets the other characters who refuse to believe that he is who he says he is. Before he gets the chance to explain himself, a teacher drags Seth in to detention and leaves people thinking could he really be harrassed by a secret agent?
Episode 2 Synopsis
Seth makes his case as to him being harrassed by the secret agent, although no one seems to believe him. A flashback is shown as to how Zeke's friend takes advantage of him. The episode concludes with the entrance of Taylor's girlfriend.
Episode 3 Synopsis
We learn that Taylor had been lying to his girlfriend about his troublesome activities. Valerie also shares her concerns with her dad's expectations of her. But another shock lies in store for each of the other characters.
This is only a brief outline. All of the ideas could be developed further.
Possibly A Split Project?
developed even further. I had the idea of what echobeach and moving wallpaper did. My thinking behind this was that the two ideas could focus on detention, but different characters and situations. The show itself would still feature the same name.The Detention Deficit Part 2
Fade In
JAKE (narration)
Detention wasn’t going great so far. I’d been threatened by Taylor, questioned about my fame and now there’s someone claiming to be harassed by a secret agent. Could this day get any worse?
Cut to
INT - THE DETENTION ROOM - AFTERNOON
JAKE is sitting at a table, minding his business completely. TAYLOR is sitting on top of the table and ZEKE and VALERIE are sitting by the table that TAYLOR is sitting on. SETH is pacing up and down the room.
SETH
I really shouldn’t be in here.
TAYLOR (muttering)
You’re telling me.
ZEKE
What happened to you?
SETH
There’s this guy. He keeps following me around. I can never seem to get away from him.
Cut to
INT - THE REFECTORY - MORNING
SETH is standing at a vending machine, looking at what drink to purchase. He spots AGENT 1 peering round the corner of the door, staring at him. He looks back at the vending machine. He looks back to the door. AGENT 1 is no longer there. He makes his drink selection.
Cut to
INT - THE LRC - MORNING
SETH is sitting at a table, writing some notes onto a writing pad. He looks up. AGENT 1 is standing in an aisle, staring at him. He looks down, then back up. AGENT 1 is nowhere to be seen. AGENT 1 crouches beside him.
AGENT 1 (whispering)
It’s time.
Cut to
INT - THE DETENTION ROOM - AFTERNOON
SETH is standing at the front of the room. JAKE, TAYLOR, ZEKE and VALERIE are staring at him in confusion.
ZEKE
Right…
SETH (insistently)
I’m telling you the truth here! Why would I make up something like this?
JAKE
I somehow find it hard to believe.
TAYLOR
That’s rich coming from the actor we’ve never heard of.
VALERIE
Why should we believe you?
JAKE faces ZEKE.
JAKE
What’re you in here for?
ZEKE
I, erm… it’s complicated.
Cut to
INT - A COLLEGE CORRIDOR - MORNING
ZEKE is walking down the corridor. He has his rucksack on his back and is listening to music on his iPod. FRIEND 1 comes up behind him, patting him on the back. ZEKE takes the headphones out of his ears.
FRIEND 1
Alright? I have a favour to ask. I was going to a sick party later. I need you to look after my drink til the end of the day.
ZEKE
I don’t wanna keep covering for you. All the time you’re getting me in the shit.
FRIEND 1
Cheers, man. You’re the best.
FRIEND 1 hurries off.
ZEKE
No, wait.
ZEKE sighs.
Cut to
INT - THE DETENTION ROOM - AFTERNOON
JAKE, TAYLOR, SETH and VALERIE are sitting at various tables, listening to ZEKE, who stops talking. KATIE suddenly bursts inside the room. She marches towards TAYLOR.
KATIE (furiously)
I’ve had it up to here with you, Taylor! How long did you honestly think it would be before I’d find out?
Fade Out
Wednesday, 6 January 2010
Casting Director Checklist
1) I need to arrange the main actors and also get backup actors incase the main actors do not turn up for filming.
2) Model Release Forms - they need to be signed that we can get their permission to appear in the webisode.
3) Making sure that the cast know when they are supposed to be on the set, they have a copy of the script and that they know all of their lines.
4) Auditions - these need to be done to ensure that each actor fits the role of the character I will be casting them as.
I will make sure that these will all be done before filming commences
Different Media And Art Forms

audience can be an exciting experience as it means audience members can view plays or shows that are only performing for a limited time and after the run of the show ends, there may never be another performance. An example of a play that has been successful for a number of years is: The History Boys, which was written by Alan Bennet which premiered in May 2004. An example of a West End show that has also been successful is Billy Elliot: The Musical. This began in March 2005 and is based on the film adaption of Billy Elliot. Billy Elliot: The Musical was written by the writer of the film. Having experienced watching this show, I was captivated by the experience of seeing the show as the acting was far more realistic and captivating. With theatre, the lines are already written and the audience do not reflect or change what is being said on stage. The target audience for theatres and west end shows are people who enjoy going to live performances, maybe middle to upper class people.

you saw it live, you would only
technology. Instead of paying to see a



They all feature simple narratives, which are simple enough to watch and does not cause confusion as there is not enough time to fully develop each idea if it were a complicated one. With microseries's, we learn about the characters through the situations as to which they get theirselves into, not any character development beforehand.
The first episode introuduces all of the main characters that will be developed as the series progresses, and will also need a potential cliffhanager to make people want to watch the next episode in the series.
This is the third episode of living with the infadels. This features the frequent use of comedy, though its not slapstick. It is more through the dialogue. The same characters appear in this episode as the previous ones and the story is easy to follow and makes you want to watch the next episode as it gives you suggestions as to what will happen in the next episode.
This is an episode from the Angry Kid series. This again sticks to regular conventions. It is a comedy series and this one is different to previous microseries's because each episode tells a different story. There is usually only one character on screen for the majority of each episode.
The Detention Deficit Part 1
Fade In
JAKE (narration)
My name’s Jake Wood. I spent most of my life trying to be like a normal kid. But the fact I happened to be a TV star and also the lead singer of a band, meant otherwise. I decided to move away and enrolled at sixth form. That was when I met these guys.
Cut to
INT - THE DETENTION ROOM - AFTERNOON
The camera focuses with a close-up of TAYLOR’S face as he speaks to JAKE, who is sitting on the other side of the room to him. TAYLOR is sitting on top of the table.
TAYLOR (threateningly)
You see. At this college, we believe in a state of hierarchy. I am at the top. You, my friend, are at the bottom. The dirty stinking bottom. You got that?
JAKE (narration)
That’s Taylor, the head honcho as he calls himself. He delights in bullying and playing pranks on people. And then we have Valerie.
The camera moves across to VALERIE, who is sitting at a table. She has her legs on top of the table. She is listening to music on her iPod, which is playing loudly through her headphones.
JAKE (narration)
Every part of me was telling me to avoid talking to her, but I also felt drawn to her. And finally, we have Zeke Fernando, the nicest one of the bunch.
Cut to
A Previous Detention
INT - THE DETENTION ROOM - AFTERNOON
ZEKE is sitting at a table, talking to TAYLOR and VALERIE. TAYLOR is sitting on top of the table, listening to him intently.
ZEKE
We were at a house party the other night and my mate. He, erm, he had tons to drink. Like a serious amount…
JAKE (narration)
Meeting someone like him made me question why he ended up in detention in the first place.
Cut to
The Present Detention
INT - THE DETENTION ROOM - AFTERNOON
VALERIE takes the headphones out of her ears. She turns and faces JAKE.
VALERIE
So you’re an actor? What’s it like being famous?
TAYLOR
He can’t be that famous if I’ve never heard of him. Even if he was, which I’m sure he ain’t, he wouldn’t be here in detention, would he?
VALERIE
Yeah. Why are you here?
JAKE doesn’t answer them.
VALERIE (impatiently)
Well?
The door suddenly opens. SETH walks inside the room. He is arguing with TEACHER 1.
TEACHER 1 (furiously)
I’ve had it up to here with your lies! For the last time, no one has been following you. Not even this apparent spy!
SETH
If you’d just let me explain.
TEACHER 1
No.
TEACHER 1 slams the door shut. SETH turns to face the others.
SETH
Oh, hi.
Fade Out
Tuesday, 5 January 2010
Alternative Sitcoms
The first TV show that I looked at was Outnumbered. This is
comedy at a very basic level. It is about a family who attempt to navigate the trials of everyday life. The setting for each of the episodes are the family's house, moving to different locations for other episodes, such as an airport and a church. Most of the comedy is also provided through the dialogue exchanges from them all.I also researched into The Inbetweeners. This has more varied
locations than what most other sitcoms have. A frequent setting is the sixth form/ secondary school in which the students attend. The cast is also small with the central characters being four friends. The storylines are also simple as it has them to trying to fit in at College and how everything seems to backfire on them.
The third and final sitcom into which I researched was The Green Green Grass, a spinoff from Only
Fools and Horses, focusing on Boycie and Marlene as they move to the countryside and attempt to settle into the local neighbourhood. This is once again a comedy, and uses very limited locations. The main setting is the house and other parts of the farm, although it does occassionally drift to the local pub. The storylines are kept basic, following one storyline. Past episodes are sometimes referenced, which doesn't make it necessary to follow the story to understand what is happening in each episode.
First Meeting
I found a lot of faults and a lot strengths in these ideas. In the time in which we have to do this project, there would be no way that we would be able to produce a webseries of a zombie invasion and make it look convincing enough to make people watch all three episodes.
I liked the idea of the secret agent harrassing the kid and thought it might possibly be the most entertaining thing to watch, but the question remained on the content on each of the episode and how the idea could possibly work.
I also liked the idea of the detention room, but not in the same way that everyone else in the class did. When I heard that idea, I got
the idea of Skins. And the fact that everyone wanted to feature geeky comedy in a detention setting was slightly bizarre. I thought that this idea would not work, due to the fact that not all intelligent/ geeky people go out causing trouble. They spend their time at school studying.I also objected to the idea of there being so many characters featuring in the webisodes. For three 1 minute episodes, to introduce and develope all these characters doesn't seem very realistic. I felt that they should've used three characters instead. That way, the casting would be made easier as well.
I came up with the possibility of three different characters. The first one was a rebellious teen who would be confident and not be afraid of the consequences of his actions. I was thinking that the second character could be someone who always gets into trouble for covering for their friend who was a troublemaker. The third character was a girl. I was thinking that she got in to trouble not because she was looking for it, but because she was struggling with everyday life. Peer pressure would play an important part in each of these character's reactions. I felt that this would be a far more realistic approach to take and not be over the top like some of the characters that were created during the lesson.
I wanted to take on the role as writer for the webisodes, but due to the fact that I did not agree on the nature of the storylines and the characters, I didn't want to be the one responsible for bringing these characters to life. In the end, I took on the role as Casting Director. I like that I will be the one responsible for choosing who will appear as the characters in the webisodes.
Seeking Permission
Monday, 4 January 2010
Introduction To Show
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